Creative Writing

This module allows students to explore a range of different non-fiction genres, including memoir, Travel Writing, and reportage. In each case they will contemplate the ethical dilemmas of so doing, and the psychological dimensions of writing about their own lives and the lives of others. They will consider issues such as perspective, narrative, politics, audience, and editing. The module will focus upon how to use language to achieve certain effects. Much of the work will occur in practical workshops, working towards the submission for assessment of a specific piece prose non-fiction and an essay exploring the world of non-fiction writing (including the media) in relation to the UN’s Sustainable Development Goals.

This module aims to help students develop their own practice as writers of fiction, through a consideration of the form and techniques used by published writers. It will consider plotting and the structuring of texts, as well as the subtleties of characterisation, dialogue and place in short and longer fiction. The module will analyse a selection of works, paying particular attention to more recent work and considering texts that range from Booker and Pulitzer prize winners to mass-market fictions; experimental odysseys to more sentimental journeys. Students will be encouraged to consider how these fictions work as texts, how they develop character, plot story, position the reader etc., and how they relate to audiences.

Students will work individually and in groups to create/develop stories and structures, characters and scenes for or from their own fictions. This module will be the beginning of their journey towards their Independent Study.

This module is designed to enable students to become a successful writer within a community, whether that is through residencies or works celebrating or contributing to a particular neighbourhood, community or group. This may involve responding creatively with site-specific works within an urban or rural environment; working with an online community, or the temporary ‘community’ of a festival; involvement in a collaborative community-based art project; participation in or production of an anthology or collection for publication. Whatever the platform or opportunity – whether it is an existing one that is applied for, or created in a pro-active way – the emphasis here is on community engagement, widening participation, and positive impact. 

This module allows the students to explore a variety of fictional genres, including but not limited to: Horror, Sci Fi/Fantasy, Crime, and Historical Fiction. By looking at texts from leading authors in each field, students will learn about genre conventions in relation to plot, character, and setting, and will use these skills to write a creative piece of their own in a chosen genre. Alongside the creative elements of the module, students will also critically examine genre fiction, with particular attention being paid to the roles of gender and race.

This module is designed to prepare students for the rigour of writing a longer-form creative piece. Issues of structure, sub-plotting, narrative drive, character development and ‘voice’ are considered within the context of the student’s own ideas for their Independent Study and similarly targeted works of contemporary fiction or the specific genre they have chosen. The relationship between experimentation/originality and commercial imperatives/’what has gone before’ will be considered to enable students to locate their own work more fully within current socio-cultural contexts, while workshops and group discussion deepen each student’s interrogation of their own processes and challenge habitual modes of working.

The Independent Study is the culmination of the MA Creative Writing. Students will write, re-write and edit an extended creative piece, 20,000 to 25,000 words of a novel, or a script or poetry collection or work of creative non-fiction to be agreed by the Programme Leader and supervising tutor. They will realise ideas first developed in the Independent Study Preparation module and work under the expert guidance of a supervisor but with an emphasis on self-directed research and writing. The overall outcome will be a demonstration of the student’s creative integrity, confidence and accomplishment in authorship.